This was only the second time when the work was performed in Scotland, the first being promoted by the great Erik Chisholm before the war with the Barony Musical Association - see our note here. At the time Clemenza was very much neglected, and regarded as the “Cinderella” of Mozart’s mature operas, though given the quality of this excellent rendering it was difficult to understand where the problem lay. Most of the artists were regular performers at Glyndebourne or Sadler’s Wells. Terry Jenkins spent most of his career at the Coliseum, in a wide range of operetta and character parts. Janice Chapman's Vitellia and Lorna Brindley's Sextus were beautifully sung and created intensely dramatic characterisations in the tiny space available on stage.
The translation used was the one created in 1930 by the Radford sisters for their performances in Falmouth.
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