Opera Scotland

Hansel and Gretel 1895Carl Rosa Opera Company

Read more about the opera Hansel and Gretel

Hansel and Gretel was one of those operas first brought to the UK by the Carl Rosa Opera Company. 

After the opening performance in Glasgow, the first in Scotland,  the critic of the Glasgow Herald (25 April) wrote at length about it.  "It is not often safe to prophecy for a Carl Rosa novelty a permanent place in the repertoire of the company.  But Hansel and Gretel is bound to live in the affections of lovers of all the true and good in music, and one could wish opera-goers no better fortune than that it should become a stock piece, as remunerative as Tannhauser and as  inevitable as the Bohemian Girl. The overture of this opera, which gave Humperdinck fame beyond the borders of the Fatherland, was made pretty familiar to us last winter by Mr Henschel."

"One could not imagine a more perfect setting of a fairy tale.  The children are real, live children.  They do not seem to be acting.  They play and quarrel, yield to momentary caprice, and gorge themselves on sweets.  And when they sing, they are as far from being non-natural as it is possible to be in opera."

"The opera is strongly cast. Miss Minnie Hunt's Gretel was perfect.  She played the part with charming  naivete, and her fresh, pretty voice exactly fitted the music.  But for imperfect articulation, Miss Marie Linck's Hansel was as good.  Together they contributed the largest share of the success of the production.  Miss Meisslinger was an admirable Witch, her acting and singing were both unexceptionable.  Mr Homer Lind's Peter (the father) was as good as his Isaac in Ivanhoe.  He is a clever actor, and uses a good voice with skill.  Madam Barth, Miss Eleanor Harwood and Miss Lily Heenan filled the other parts.  The conductor's task is no sinecure in an opera of this kind, and Herr Leo Feld deserves great credit for the whole performance."

The Company spent four weeks in Scotland in April and May (one week in Glasgow, one in Aberdeen and two in Edinburgh), during which they presented the opera nine times. This was within six months of its first performance in London, and under eighteen months since the Weimar premiere - this guaranteed audience pleaser was a popular success right from the start.  Three times it was paired with Pagliacci (April 24, May 8 and May 17) and five times with Mozart's Bastien and Bastienne (Apr 26, May 1, May 4, May 11 and May 14).  Once it was given on its own (Apr 25) - a matinee when children would perhaps have found one work sufficient as a day's entertainment.

 When the opera was revived that autumn, the new coupling seems perhaps more appropriate - Mendelssohn's youthful one-act comedy Son and Stranger, an unjustly neglected piece.

The casts shown below are for the Glasgow opening in April and for the Edinburgh performance in November (programme in NLS). A programme for 9 November is preserved in the Mitchell Library.  Leo Feld is not listed among the conductors for the autumn tour.

Performance Cast


Marie Linck (Apr 24)

Frances Graham (Nov 9, 20)


Minnie Hunt

Gertrude mother of Hansel and Gretel

Lily Heenan

Peter a broom maker and father of Hansel and Gretel

Homer Lind


Eleanor Harwood

Dew Fairy

Alice Barth (Apr 24)

Lillie Williams (Nov 20)


Luise Meisslinger (Apr 24)

Julia Lennox (Nov 9, 20)

Performance DatesHansel and Gretel 1895

Map List

Royalty, Glasgow | Glasgow

24 Apr, 19.30 25 Apr, 14.00 26 Apr, 19.30

Her Majesty's Theatre, Aberdeen | Aberdeen

1 May, 19.30 4 May, 14.00

Royal Lyceum Theatre | Edinburgh

8 May, 19.30 11 May, 14.00 14 May, 19.30 17 May, 14.00

Theatre Royal, Glasgow | Glasgow

5 Nov, 19.30 9 Nov, 14.00

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